Series LA.SC123.S2 - Project and Exhibition records

Identity area

Reference code

LA.SC123.S2

Title

Project and Exhibition records

Date(s)

  • 1951-2010, predominant 1990-2010 (Creation)

Level of description

Series

Extent and medium

3.7 m of textual records and other material
Ca. 772 photographs

Note: other material includes prints, postcards, tiles, models, greetings cards, and a rubber stamp. Further details about the physical extent of these materials can be found in the file-level descriptions. Photographs include photoprints, slides, negatives, contact sheets, and transparencies.

Context area

Name of creator

(1950-)

Biographical history

Barbara Astman (1950- ) is a Toronto-based artist who has worked in a wide range of photographic and mixed-media formats. Born in Rochester (NY), Astman was educated at the Rochester Institute of Technology School for American Craftsmen and, after moving to Toronto in 1970, the Ontario College of Art. She was a pioneer in the field of colour xerography, and her practice has included a mix of camera art, new media, sculpture and light projection installations. Thematically, her work has explored issues of identity, history, memory, systems of representation and gender perspectives, often involving her own body as a subject. She has executed a number of public art commissions for clients including the Calgary Winter Olympics, the City of Ottawa (St. Laurent Complex Recreation Project), Hayter Street Developments (Bay/Hayter Condominiums, Toronto) and Cadillac Fairview Corporation (Simcoe Place, Toronto). Astman is now a professor at the Ontario College of Art and Design in Toronto, where she has been teaching since the mid-1970s. She is represented by the Corkin Gallery. Her work is found in prominent public collections including the National Gallery of Canada, The Art Gallery of Ontario, The Bibliotheque Nationale (Paris, France), and the Victoria and Albert Museum.

Archival history

Immediate source of acquisition or transfer

Content and structure area

Scope and content

Series comprises records of Barbara Astman’s public art projects (Calgary Olympics floor; Don Mills Centre, Simcoe Place, National Trade Centre, St. Laurent Park Leisure Centre, Bay Hayter) and exhibitions, including photographs, correspondence and other textual material and several objects.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Two files in the 2018 accrual to this series fall under the AGO's access policy, which requires that records created within the last 50 years are restricted and may be accessed only with permission from the archivist. This restriction applies to files S2.f242 and S2.f243, titled "AGO Board of Trustees (1 of 2)" and "AGO Board of Trustees (2 of 2)". These conditions are noted at the file level.

Conditions governing reproduction

Language of material

  • English

Script of material

    Language and script notes

    Physical characteristics and technical requirements

    Finding aids

    Allied materials area

    Existence and location of originals

    Existence and location of copies

    Related units of description

    Related descriptions

    Notes area

    Alternative identifier(s)

    Access points

    Subject access points

    Place access points

    Name access points

    Genre access points

    Description control area

    Description identifier

    Institution identifier

    Rules and/or conventions used

    Status

    Level of detail

    Dates of creation revision deletion

    Language(s)

      Script(s)

        Sources

        Accession area