Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

Fonds includes an album (disbound) containing 45 photographs of paintings and prints restored by Rawbon, with a typed description of the "Rawbon Process" signed and dated, 1921. Collectors and collections mentioned include: Elliott W. Atkins, Toronto; Hôtel Dieu, Kingston; Major Kenneth C. Macpherson, Ottawa; Col. W. O’Brien, Shanty Bay; D.A. Story, Halifax; R.E. Cooper, Victoria; A.J. Gough, Toronto; C.S. Gzowski, Toronto; Mrs. John Small, Toronto; Henry O’Brien, K.C., Toronto; Walker House, Toronto. Fonds also includes a notebook containing a list of “Canadian Artists: Members of the Royal Canadian Academy and The Ontario Society of Artists”, September 1922. The back pages of the notebook contain records of sales of “Oxford” and “Lusterize” polish formulas, and of free sample canvas stretchers sent out to clients. Fonds also includes 14 prizes and diplomas won in art and photography competitions at fairs in southern Ontario (1874-1887); 2 photographs of J. Loxton Rawbon; notes on art restoration methods; correspondence and testimonials; and press clippings related to Rawbon’s career.

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

1. Diaries
2. Record books
3. Photographs
4. Scrapbooks
5. Commercial art

Fonds consists of the personal records of Jack Pollock, including his writings (unpublished and manuscript); selected correspondence, experimental works on paper, publicity material such as press clippings, photographs of the artist and his associates, and related personal documents.

Fonds consists of a single scrapbook compiled by the artist, containing press clippings, illustrations clipped from exhibition catalogues, and four photographs.

Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files, artwork, the artist’s publications, correspondence, ephemera, photographs and slides.

Fonds consists of material produced by Pleasure Dome in Toronto for its programs of film and video exhibitions between 1989 and 2016, including press releases, clippings of notices and reviews, programming records with correspondence, and related material.

Fonds consists of administrative records of the Pollock Gallery in Toronto during the period 1967–1982; gallery correspondence; files on gallery artists and others; photographs of sculptors Frances Loring and Florence Wyle; records of gallery owner Jack Pollock; and material related to gallery artist Norval Morrisseau and to a book about him co-written by Jack Pollock.

Collection consists of records accumulated by Ric Amis between 1982 and 1994 from organizations with which he was affiliated in Toronto, including Citizens for the Arts, Beaver Hall Artists’ Housing Co-operative, Lakeshore Village Artists’ Housing Co-operative, Toronto Artscape, Toronto Independent Media Enterprises/Cultural Arts Centre (Toronto) Incorporated, Canadian Artists Network: Black Artists in Action, and the Live/Work Space Building Code Working Group.
Collection comprises records of meetings of boards and committees; business and legal correspondence; provincial, municipal and other reports and policy documents; administrative records of organizations; research materials on artists’ co-operative housing; feasibility studies for projects; architectural drawings, and related material.