- LA.SC125.S1.f69
- File
- 1989-2012
Part of Robert Fones fonds
File contains personal correspondence.
Part of Robert Fones fonds
File contains personal correspondence.
[Planner, loose pages, July 2011-March 2012]
Part of Barbara Astman fonds
Loose sheets from agenda
Part of Barbara Astman fonds
File contains holiday cards from Barbara Astman's friends and family.
Part of Barbara Astman fonds
File contains correspondence with Tony Baker, Astman, and their children Laura and Amy. File contains memos from Tony Baker to his family members.
Part of Winsom fonds
File consists of promotional material relating to the exhibition Jumping the Big Boa (2012), held at the Image Factory art foundation in Belize.
Forms, agreements, and other professional records
Part of Winsom fonds
File contains professional documents relating to Winsom's work. Includes professional correspondence, a CV, loan agreements for exhibitions, meeting notes, release forms relating to two editions of the publication Canadian Who's Who, budget documents, and other related documents.
Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.
Etrog, Sorel
Curatorial and arts administration files
Part of Elizabeth Chitty fonds
Pamela Harris Spence Bay collection
The collection comprises archival material related to Harris’s photographic work from her time in Spence Bay, as well as that of the darkroom project she conducted while living there. The archival collection consists of Pamela Harris’ original contact sheets; her active and passive correspondence; documentation, publicity and text panels related to her exhibitions of Spence Bay photographs; audio recordings of interviews with people she met and worked with in Spence Bay; and related materials from the 1973 Women’s Kit. It includes the 28 b&w photographs taken by the Inuit women participants of the concurrent natural dyes workshop and the related text panels exhibited at the Artic Women’s Craft Conference and TD Centre in 1974, as well as documentation of their work in the Darkroom Project and the resulting exhibition. It also includes a questionnaire designed and distributed by Pamela Harris and colleague Paul Carter to other documentary photographers during this same time period.
Harris, Pamela
Michael in Modern China Among the People
Part of Barbara Astman fonds
File consists of graphic material relating to Astman's experimental works. File also contains a printed email from Ihor Holubizky to Barbara Astman (2012).