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Series is comprised of the sketchbooks used and kept by Robert Fones. The volumes primarily contain sketches and drawings, often related to specific artworks, design projects or artist book works. Some of the sketchbooks, as noted in the descriptions, contain finished drawings that the artist has chosen to leave intact within the sketchbooks. The sketchbooks may also contain some diaristic writings, personal reflections and technical notes, thus there is some overlap with the journals especially in earlier volumes. Also included in this series are several colour mixing books used by Robert Fones, which consist of colour mixing formulas for several of his artworks, as noted in the descriptions.

Series is comprised of various ephemera, including Can-D-Man postcards, invitations to book launches and other events, samples of letterhead and logos, newsletter, one audio cassette of talking books sampler, a partial publication by David Rosenberg, Excellent Articles in Japan. It also includes invitations to Fones’ book launch for Anthropomorphiks.

Series consists of Tim Zuck’s income tax records, invoices, correspondence with Revenue Canada, art supply receipts, studio renovations receipts, art income records, travel expenses, etc. The series also contains correspondence and a purchase and sale agreement regarding his house sales in Halifax and Toronto.

Series consists of work originating from and around the “Projects Class” at the Nova Scotia College of Art and Design, and similar activity at the California Institute of the Arts, during Tim Zuck’s association with these institutions. It includes the art films “Elevator”, “Halifax”, and “A Walk on a Frozen Lake”, audio tapes, photographs, and documentation for performance works by Tim Zuck. The series also contains conceptual artworks done by fellow student Richards Jarden, and descriptions of works done by others in the class. A sequence of files pertaining to group exhibitions in the early 1970’s are also included, in addition to art projects done by students at the California Institute of the Arts.

Series comprises teaching notes, photographic samples used in teaching, examples of student work, and a few selected course readings used in Suzy Lake’s teaching activity at the School of Fine Art and Music, University of Guelph. Series also includes Suzy Lake’s annual reports as a faculty member.

Series comprises analog and digital trial proofs of photographs by Suzy Lake, used by the artist to refine and correct aspects of hue, saturation and brightness.

Series is comprised of material pertaining to the operations and management of Baldwin Street Gallery, including newsletters and flyers, the sale of photographic equipment, publicity and press materials, grant applications, teaching courses and workshops, and research materials for projects undertaken by members of the Gallery examining sexism in the photography industry and promoting the work of historical and contemporary women photographers.

Series consists of material, including programmes, posters, flyers, correspondence, exhibition and artist statements, and press pertaining to the creation and promotion of exhibitions at Baldwin Street Gallery in addition to exhibitions by members of Baldwin Street Gallery held at other galleries.

Series comprises studio portraits of F.H. Varley, snapshots of his family and friends at social and ceremonial occasions and photographs of Varley’s works, some annotated on verso.

Series comprises 2 motion pictures on gallery artist Gershon Iskowitz: “Standing Apart,”produced by Peter and Frances Mellenco (concerning Iskowitz’s participation in the Venice Biennale, 1972); and “I Paint What I Know—Gershon Iskowitz,” produced by Peter Alford. Motion pictures will also be found in Series 9 (New York office records).