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Series comprises photographs, transparencies, slides, index cards, lists, and other records documenting K.M. Graham’s artworks and exhibitions.

Series comprises records related to the Arctic, including correspondence, writings, newspaper clippings, magazine articles, Inuit Art Conference notes, book proposal documentation, willow herb specimens, artwork documentation, landscape sketches, and drawings by Inuit and of Inuit at Toonik Time, Cape Dorset 1973.

Series comprises drawings by K.M. Graham in felt tip pen, ink, graphite, watercolour, and pastel of her travels and of daily life.

Series comprises records related to K.M. Graham’s private life with family and friends and Howitt family history, including photographs, photo albums, scrapbooks, travel diaries, correspondence, works by other artists, and writings.

Series consists of files pertaining to Greg Curnoe maintained by Sheila Curnoe following the artist’s death. Series includes letters and telegrams of condolence from friends and colleagues, tributes, etc.

Series consists of material related to Northern Lights Septet #3.

Series consists of 7 sketchbooks containing pen, pencil, charcoal and ink drawings by Robert Markle. 5 of these have been numbered by Marlene Markle, who provided dates and contextual information for these items. Sketchbook #1 also contains work by Graham Coughtry and Gordon Rayner.

Series consists of sketchbooks in which Greg Curnoe recorded visual and verbal observations from his art college years to his later professional life.

Series is comprised of the sketchbooks used and kept by Robert Fones. The volumes primarily contain sketches and drawings, often related to specific artworks, design projects or artist book works. Some of the sketchbooks, as noted in the descriptions, contain finished drawings that the artist has chosen to leave intact within the sketchbooks. The sketchbooks may also contain some diaristic writings, personal reflections and technical notes, thus there is some overlap with the journals especially in earlier volumes. Also included in this series are several colour mixing books used by Robert Fones, which consist of colour mixing formulas for several of his artworks, as noted in the descriptions.

Series comprises correspondence to F.H. Varley between 1919 and 1969 from friends, admirers, collectors of works of art and students seeking help with school assignments. Contents include letters and notes, postcards, greeting cards, invitations, exhibition notices, receipts and, in the case of the Edmund Carpenter and the Allan Wargon folders of correspondence, motion picture scripts.