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File consists of textual records pertaining mainly to Favro’s activities between 1970-1975, and especially regarding flight and aircrafts. Includes a letter from Carmen Lamanna to Dr. Manfred Schneckenburger regarding "Projekt '74," a letter from Favro to the Experimental Aircraft Association, and a letter from the Auckland City Art Gallery, New Zealand. It also includes a printed 30-page article titled, “A Computer-Based Alternative for Scientific and Technical Publishing,” a 1974 invitation to an exhibition opening featuring Favro's work at the Gallery of the London Public Library and Art Museum, and approximately 20 pages of notes and sketches from 1971-72 detailing possible projects and ideas for a project titled "Flight" and a number of other undefined projects.

File consists of approximately 95 loose pages of textual records and graphic material, and 1 stapled catalogue booklet. Materials mainly concern Favro’s works and projects from the 1990s. Also includes colour and B&W print-outs of Favro's works, mainly installation pieces, possibly photocopied from a published catalogue. Also included are notes, sketches, and installation instructions pertaining to "Railway Tracks (1995-1996)," a printed email from Don Wherry to A. Pratten about the lineup for the 1996 Sound Symposium, a draft from 1971 of Favro's writings on "Mechanology," a copy of a published Spanish-language catalogue titled "Casa de las Americas" from 1988, a photocopy of a French-language biographical sketch from 1973, a photocopy of a magazine article about Favro in English and French from 1995, printed information on the Forest City Gallery, including its mission statement, and a colour printout of "Snow on Steps (1994)."

File consists of 1 duotang of papers from approximately 1971. The topics covered in the notebook are varied, but include notes on a project called "Poo Fly," notes on objects and the influences or forces that affect them, steps for a possible project, technology, and preparations for a speech in which Favro discusses the philosophy behind his work.

File consists of 29 pages of sketches, installation drawings and instructions for “Synthetic Lake 1972/73” and “Van Gogh’s Room (1973/74).”

File consists textual records and graphic material, comprised mainly of correspondence and photographs. Includes a 1977 letter from Carmen Lamana, a printout of a 1996 email from Yoshiyuki Hiroshige with Alchemy Records, a 1998 letter from Matthew Teitelaum with the AGO, and a 2003 letter from Gallery Stratford. Also included are 8 B&W photographs from 1972-73 from the Department of Energy Mines, and Resources - Earth Physics Branch. Lastly, there is a page of installation instructions for “Van Gogh’s Room.”

File consists of 1 duotang of papers with "Idea Notes" written on the front cover. The notes and sketches inside cover a variety of topics from abstract ideas to more concrete designs, and include notes about movie and slides projectors, "electronics music," and circuit design.

File consists of 1 spiral notebook with Favro's notes and sketches from 1972 to approximately 1973. Notes on current projects, ideas, thoughts and sketches are included. Not all of the pages are titled, but some examples of titles from the notes include; "IDEA for a Wind Stringed Instrument," “Thermal Electric Cooling (for projectors)," "1973 Experiments," "Patent Application," Ultrasonic Surface Waves," "The Concrete Example," "The Intelligent machine," and "A Type of Information Machine." A number of pages have also been drawn on by Mark Favro, with some labelled "Mark Favro's Drawings."

File consists of approximately 51 loose pages of notes, which has "1972-1977 Miscelaneous Writtings [sic]" written on the first page. There are a variety of topics covered and projects by the writings, including the relationship between art and science, what Favro referred to as "The Myth Process," desensitization, magic, the individual, the centralization of technical knowledge, the Blacksmiths Jet Engine, the migration of functions in machines, knowledge and intelligence, and more.

File consists of one spiral notebook with "The Blacksmith's Jet Engine" written on the cover. The sketches and notes relate to a variety of Favro's interests, projects, and ideas. Not all of the pages in the notebook are titled, but some examples of titles from the pages include; "Motorcycle - Evolution in Design," "A hypothetical engine," "Optics," "The Blacksmiths Jet Engine," and "Religion - Science - Invention." Engines, waves, turbines, and optical components are among the objects that are sketched throughout the notebook.

File consists of approximately 64 pages of textual records, mainly comprised of handwritten notes covering a variety of topics. The topics covered include jet engine design, turbine design and methods, synthetic photography, machinery, art and machines, surface movement in painting, reflections on his art and artistic approach, and more. Some writings have been dated to approximately 1978 and 1979. Also includes a printed page titled "Listing of Games on PET Computer," a handwritten to-do list, a copy of a letter sent from Mildred Friedman to Michael Hayden in 1973, three pages of handwritten drafts of letters, and a contact list for “Video Ring” which includes Favro as a contact.