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File consists of 14 pages of handwritten notes and sketches. The handwritten notes include "Projects planned for the 72-73 Application," July 1973 reflections on consciousness, philosophy and other ideas, and undated notes on "Inverse Universes" and other topics. File mainly contains materials from the early 1970s, with some undated materials.

File consists of approximately 30 pages of textual records. Included are 13 pages of hand-drawn circuitry diagrams and notes for a "Digital Identification Unit (DIU)." There are also approximately 14 pages of handwritten notes covering a variety of Favro's thoughts and ideas, including those about technical progression, knowledge and intelligence, patents, and more. There is also a legend of symbols concerning "Wing sections and characteristics." Lastly, also included is a letter from Alvin Balkind, AGO Curator of Contemporary Art, to Favro, dated 8 August 1973 regarding a possible acquisition, a handwritten draft of Favro’s reply, and 1 page of questions for a patent attorney.

File consists of a 1998 newspaper clipping featuring a review of a Nihilist Spasm Band show in London, ON, a 1984 Graphex 9 Catalogue featuring one of Favro's works, 3 pages of sketches of aircrafts, a printout of an article titled "Build Improved ASCII Encoder" by Don Lancaster, a photocopy of circuitry instructions, handwritten notes, calculations, and sketches for an undefined circuitry project, and notes on thermodynamics.

File consists of textual records relating mainly to grant and bursary applications, as well as correspondence. Included is a 1985 letter to Favro from Michael Mundhenk, a 1967 application for a Canada Council Arts Bursary, 2 invitations to "Track Records: Trains and Contemporary Photography" at Oakville Galleries, a note from the 2020 Gallery, an insurance memo from 1998 from AON Reed Stenhouse Inc., 3 pages relating to "Sproing (1965),” a 1991 Grant application, a handwritten note to the Arts Awards Service, a handwritten project cost report, a report noting that a grant allowed Favro to complete specific projects, a typed project cost report from 1991, a request for a third installment to the Arts Awards Service from 1992, and an empty envelope.

File consists of largely undated textual records, relating to both Favro and his son, Mark. Included is Mark Favro's 1973 library card and a 1973 letter from Lord Roberts School regarding parent volunteers for an activity. There is also a floorplan of the Carmen Lamanna Gallery, a photocopy of a camera supply catalogue page, a receipt from Trans Canada Couriers, an oversized folded piece of paper with hand-drawn floorplans for a Toronto building, 2 copies of “The Blank-Faced People of Iden Moor” by Robert Fones. Also includes a 2-page draft of a biography for Favro, a number of diagrams and notes for an undefined circuitry project, and photocopied instructions for operating a Rollei slide projector.

File consists of 1 duotang of papers of handwritten notes, mainly concerning draft writings for a "Final Report" possibly for a grant or bursary. At the back of the duotang are also 2 letters from 1971 regarding a change to the property management of a residential building.

File consists textual records mainly relating to film and photography. The contents of the file are wrapped in a Film House informational booklet cover, which Favro has handwritten notes on. The file includes approximately 10 sheets listing film, print, and equipment prices at Film House, Toronto, 2 photocopies of pages of camera film prices, a 2000-2001 Program from a Panamarenko installation at the Dia Center for the Arts, New York, a 1973 letter to Favro from DSC Limited regarding slides storage, 12 sheets of 1973 Film House price lists, and a 2002 flyer from Oakville Galleries for the exhibition “Construction Compulsion: Reconfiguring the Permanent Collection” featuring an image of Favro's work "Railway Tracks, 1996-96."

File consists of a 2-page schedule for February 1995, which Favro has annotated. It also includes an advertisement for a Rollei slide projector and 4 pages of undated handwritten notes.

File consists of textual records that mainly relate to Favro's work and exhibitions from the 1960s and 70s. Includes an invitation to a show opening at La Galerie de France from 1969, 3 copies of an invitation to a joint exhibition for Favro and Ron Martin, and an invitation to a Favro exhibition at the Carmen Lamanna Gallery. Also included is a print-out of an article titled, “The Emergence of Modern Art” by Rudolf Nadassky, a receipt from 1971 from the City of London, Ontario for an instructor's fee, a pamphlet from the London Public Library and Art Museum for 1964-65, a postcard of a work of art titled "For Martin," and a collage-style card from the Carmen Lamanna Gallery staff to Favro. Lastly, there are six pages of professional correspondence spanning the 1960s-1990s.

File consists of 1 lined notebook with Favro's notes and reflections. "Efforts and Thought" is written on the front, and the writings inside cover a variety of topics and issues, including the Vietnam war, what it means to be an artist, and perception.