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File contains correspondence sent from Dennis Burton to Don Gillies, including gallery exhibition invitations and Burton's notes on postmodernism, 1995.

2 brochure booklets from Guggenheim Museum, Nov. 2002-Jan. 2003.

3 letters of recommendation for Astman, Dec. 2001-May 2003.

File consists of correspondence, predominantly thank you notes and letters regarding Winsom's work. Also includes some correspondence relating to grants and funding for Winsom's projects, art donations, and related correspondence.

Includes material on construction of new Gallery space (1983).

File contains personal correspondence.

File consists of 1 CD titled "Computer Samples." On the cover is a digital rendering of a red train. Included are approximately 175 of electronic files relating to Favro's projects, including "Big Train," “Porch,” and "Arow[sic]." Includes images, text files, records relating to “Netscape,” and records relating to a possible movie project. Also contains a 16-bit version and a 32-bit version of “PKZIP for Windows,” a file archiving computer program.

Fonds consists of the personal and professional records of Robert Markle, including his correspondence; drafts and published versions of his writings and illustrations; files on various projects, exhibitions, and teaching activities; photographs (both fine art and documentary); and preparatory art works in several media. Fonds is comprised of the following series: 1. Correspondence files 2. Writing files 3. Projects, proposals and other business files 4. Source material 5. Exhibition files 6. Arts’ Sake files 7. Income tax records 8. Published writings and illustrations 9. Publicity material and press clippings 10. Exhibition catalogues 11. Other published material 12. Sketchbooks 13. Works on paper 14. Printing plates 15. Posters and reproductions 16. Three-dimensional works 17. Costume and textile items 18. Audio-visual material 19. Photographs 20. Works by other artists 21. Marlene Markle 22. Personal items 23. Memorial

Series comprises drawings and etchings by Florence Vale.