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Series comprises of interviews with Paterson Ewen and others assembled in support of research for the 1996 exhibition Paterson Ewen: Earthly Weathers/Heavenly Skies.

File may contain correspondence, clippings and printed material regarding the artist and their work, and related textual records such as the artist's CV and biographical information, grant applications and questionnaire material.

File contains correspondence with Paterson Ewen and Mary Handford regarding compensation, invoices, an Employee Travel Expense Statement, and letters from Paterson and Mary to Matthew Teitelbaum.

File contains correspondence with lenders, Traffic Receipts, Loan Agreement forms, Shipping Notices, Packing Slips, and an initial loan request letter.

File 1 of 2 contains short auto-biographical texts and letters written by Ewen, transcripts and notes from research interviews, Matthew Teitelbaum's Curatorial Statement for Paterson Ewen: Earthly Weathers/Heavenly Skies, a copy of an unpublished paper by Janice Andrea titled "Semiotics, Subjectivity and Paterson Ewen's Phenomena Paintings: New Material, Process and Image Practices in the Work of Paterson Ewen, Analyzed by Philip Monk" (1990), a copy of Janice Andrea's C.V., invoices, a statement written by 20/20 Gallery, and general correspondence.

File 2 of 2 contains notes and transcripts from research interviews and discussions, correspondence, lists of works, photocopied articles and news clippings on Ewen, lists of works, an exhibition description and an invitation to Shooting the Moon: An Historical Survey of Lunar Photography at the Julie Saul Gallery (1995-1996); and a written description of Ewen's Phenomena paintings.

File contains an exhibition pamphlet from the showing at the Musée d'art contemporain de Montréal, general correspondence, a list of works, an exhibition itinerary, Work Order forms, exhibition enhancement planning, and the Exhibition Fact Sheet.

File contains information regarding the media preview general correspondence, lists of invitees with addresses, and correspondence regarding the Curators' Circle preview.

File contains a list of framing requirements, meeting minutes, handwritten notes, drafts of the exhibition goals and intent, meeting agendas, an exhibition Contents List, notes regarding works on paper, exhibition layout maps, the production schedule, and general correspondence.