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Series comprises records of the management of the Pollock Gallery during various periods of its activity
between 1967 and 1982, including records of transactions with clients and other art galleries; financial
records; files on works of art consigned to the gallery for exhibition and sale by artists, or for resale by
collectors; records of consignment of works to rental services of art museums; accounting for art gallery
purchases from art dealers and artists; and related material.

Series consists of published material, including exhibition pamphlets and catalogues, acquired with the Tim Zuck fonds. Series also includes 2 dust jackets with reproductions of Tim Zuck’s painting, Bird and Memorial, 1980. A list of these publications is appended to this finding aid.

Series consists of personal items belonging to Robert Markle, including his artist’s palette; a card wallet; and two passports.

Series consists of minutes of CARO meetings, related correspondence, typescript articles by John Boyle for publication in CAROT newsletter, and other related material. Files are arranged in approximate chronological order.

Series is comprised of correspondence sent to and from Robert Fones over the past 55 years, the bulk of which consists of personal letters and correspondence art received by Robert Fones from 1969 to 1975 from artists and writers from Vancouver, from the San Francisco Bay area, New York, Toronto and southwestern Ontario. It includes correspondence art and zines (consisting of a mixture of collages, manipulated photographs, stamps, letters, drawings, visual poetry, recycled images often mimeographed or photocopied) from artists such as Victor Coleman (aka Mr. Peanut), Michael Morris (aka Marcel Dot), Anna Banana, Dr. and Lady Brute, Michael Binder (aka Cloud), General Idea, Hank Bull, Chicken Bank, Daddaland, and others. It also includes correspondence from poets and writers such as Michael Ondaatje and Christopher Dewdney.

Series is comprised of the journals of Robert Fones. The journals contain records and notations of daily life and art production; reflections on his personal life; and notes on his creative processes and inspirations. Often they include insertions of found images, product labels, pages from instruction manuals, photographs, letters, ephemera and samples of the artist’s poetry and writing. There are numerous connections between these books and the artist’s finished works. While several of the books contain drawings and collages, journal entries are the predominant feature, distinguishing them from the sketchbooks in Series 8. There are four daily diaries in this series. This series also includes one address book, undated.

Series comprises records related to the running of the gallery and includes artist biographies, price lists, sample forms and statements, materials used to determine insurance values and some correspondence. Within the administrative records, separate files were maintained for some artists including price lists, statements of works sold and other administrative documents. The administrative files related to individual artists and the artist biographies are grouped together at the end of the series.

Series consists of Tim Zuck’s personal and professional correspondence and includes letters, postcards, e-mails, faxes, notes, photographs and slides of other artists’ work, exhibition notices, and artist CVs. Filed according to name of correspondent.

Series comprises photographs, transparencies, slides, index cards, lists, and other records documenting K.M. Graham’s artworks and exhibitions.

Series consists of correspondence and related documentation concerning art sales and exhibition loans, participation in panels and artist-in-residence programmes, and published writings; press clippings; grant applications; and other material. Filed together chronologically by the artist and titled “studio business”.