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Series comprises records related to the running of the gallery and includes artist biographies, price lists, sample forms and statements, materials used to determine insurance values and some correspondence. Within the administrative records, separate files were maintained for some artists including price lists, statements of works sold and other administrative documents. The administrative files related to individual artists and the artist biographies are grouped together at the end of the series.

Series comprises records documenting Moos Publishing Limited. The company was incorporated April 5, 1984 with Irwin Schwartz as Director and Walter Moos as President and Secretary. Walter Moos is listed as the sole shareholder. Records include articles of incorporation, proofs, drafts and correspondence regarding the publishing of books and ISBN information. Moos Publishing Limited produced two major books on artists: Ken Danby : the new decade / Paul Duval (Toronto : Stoddart, 1984) and Gershon Iskowitz : painter of light / Adele Freedman (Toronto : Merritt, 1982.) .

Series comprises material recording details of exhibitions held by Gallery Moos. Files include lists of works, press releases, newspaper clippings, artist information and other material. Material was received by the AGO in 2012.

Series comprises records from the Gallery Moos New York office that document David Moos’ academic and professional careers in the late 1980s and 1990s. Records include curricula vitae; applications to universities, fellowships and positions; correspondence; academic essays as well as essays, reviews and proposals written in a professional capacity including his collaborations with Rainer Crone and sample of the work of other fiction writers. .

Series comprises files kept by Gallery Moos on the gallery’s artists, chiefly containing correspondence, brief biographies, lists of art works, and press clippings; files are arranged alphabetically. Series also includes records of the Gershon Iskowitz Foundation.

Series consists of press clippings, exhibition invitations and other promotional material relating to Robert Markle’s career and collected by the artist. Series includes the contents of four scrapbook binders (1960-64, 1965-66, 1967-72, 1973-) assembled by Marlene Markle and containing press clippings, exhibition invitations, small catalogues, and some correspondence. Series also includes a bound volume entitled “Research Material on Robert Markle” compiled by Jim MacCammon & Associates and containing biographical information including a CV and press clippings.

Series consists of copies of publications featuring writing or illustrations by Robert Markle, including magazines, literary journals, poetry collections and novels. Frequently-appearing periodical titles are Toronto Life, Macleans, Canadian Magazine, and Imperial Oil Review. Some press clippings of newspaper articles by Markle are also included, as is an exhibition notice designed by Markle for The Isaacs Gallery.

Series consists of Robert Markle’s income tax returns for each year in the date range indicated. Most tax returns include sales receipts of art works from The Isaacs Gallery.

Series consists of records relating to Robert Markle’s participation in the creation of and teaching at the independent visual arts school “Arts’ Sake” in Toronto. Records include notes on curriculum and on the concept of the school, and promotional material. Series also includes Markle’s notes on the New School of Art, ca. 1977.

Series consists of lists of art works, correspondence, mailing lists and press clippings relating to a number of exhibitions of Robert Markle’s work held chiefly at The Isaacs Gallery and at other locations in Ontario. Material has been filed according to exhibition by Robert Markle.