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File consists of a list of safety guidelines for working with different elements of photographic processes, such as developing baths and other chemicals, instructional documents regarding photocopy lift transfers, alternative photographic emulsions, and laser-cutting/etching. Also includes two transparency prints of an image of a face.

File consists of samples of prints, predominantly image transfers created through various processes such as by heat or solvent, on a variety of materials, including paper, cardboard, fabric, and metal. Also includes instructional documents for using Iron-on Transfer Paper and 8 skeletonized leaves, which were used as supplies during Astman's teaching.

File consists of an instructional teaching document, paper, and three latex gloves. Materials relate to Astman's teaching of processes for the creative bleaching of photographs.

File consists of image transfer prints on a variety of materials including paper, a copper plate, acrylic sheets, and a piece of fabric. Also includes a visual aid showing multiple examples of acetone image transfers, alongside the graphic material used to create the transfer and Astman's notes. The prints in this file exemplify the results of a variety of image transfer processes, including acetone transfers.

File consists of teaching notes, materials and supplies relating to image transfer works, especially by heat transfer. Includes paper ephemera such as magazine clippings, wallpaper samples, fabric pieces, vellum prints, printouts, and other graphic material used by Astman in teaching. Also includes visual aids regarding heat transfers, which contain multiple small examples of image transfers alongside the transparencies used to create the transfer and notes describing the steps taken. Some materials, including vellum prints, have been folded, cut or torn into various shapes for use in creating image transfers or other processes.

File consists of teaching notes and image transfer visual aids that show the results of a variety of transfer processes, such as solvent or heat transfers, used by Astman in teaching. The visual aids contain multiple image transfers alongside the transparencies used to create the transfer and notes describing the steps taken or techniques used.

File consists of collages, Polaroid photographs and transparencies, newspaper and magazine clippings, and other paper ephemera and graphic material used by Astman as collage elements, such as printouts and photocopies. Some graphic material has been taped together and cut into various shapes, or scraped and scratched to form collage and overlay components. Also includes an instructional printout from Polaroid's website regarding tips and techniques for using Polaroid P/N films.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the second decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

File consists of an image transfer print from "Scenes from a movie for one," on a metal plate coated in encaustic wax that Astman used in teaching. The plate was originally wrapped in a sheet of paper with handwritten notes.

File consists of "The Deadline" (1996), a comic created by Helene Astrom (Contemporary Photography Department at OCAD), a production still from Blackmail (1929), directed by Alfred Hitchcock, two emulsion transfers and instructional documents regarding image transfers.