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File consists of slides of various artists' works, such as Anna Atkins, Robert Schaefer and Sally Larsen, used by Astman during lectures about historical experimental photography. Includes 69 photographic slides, originally housed in a Kodak Carousel slide tray for projection. The slides are labeled with the artists' names and types of photography demonstrated, such as cyanotype, daguerreotype, tintype and others.

File consists of photographic slides of multiple artists’ works, including Arthur Siegel, Andy Warhol, and Jan Dibbets, used in Astman’s lectures for the course Camera Art: Combining Media. Includes 80 slides, which were originally housed in a Kodak Carousel slide tray for projection, as well as a list of the works depicted in the slides. Also includes an instructional document for operating the slide carousel.

File consists of a list of safety guidelines for working with different elements of photographic processes, such as developing baths and other chemicals, instructional documents regarding photocopy lift transfers, alternative photographic emulsions, and laser-cutting/etching. Also includes two transparency prints of an image of a face.

File consists of samples of prints, predominantly image transfers created through various processes such as by heat or solvent, on a variety of materials, including paper, cardboard, fabric, and metal. Also includes instructional documents for using Iron-on Transfer Paper and 8 skeletonized leaves, which were used as supplies during Astman's teaching.

File consists of an instructional teaching document, paper, and three latex gloves. Materials relate to Astman's teaching of processes for the creative bleaching of photographs.

File consists of image transfer prints on a variety of materials including paper, a copper plate, acrylic sheets, and a piece of fabric. Also includes a visual aid showing multiple examples of acetone image transfers, alongside the graphic material used to create the transfer and Astman's notes. The prints in this file exemplify the results of a variety of image transfer processes, including acetone transfers.

File consists of teaching notes, materials and supplies relating to image transfer works, especially by heat transfer. Includes paper ephemera such as magazine clippings, wallpaper samples, fabric pieces, vellum prints, printouts, and other graphic material used by Astman in teaching. Also includes visual aids regarding heat transfers, which contain multiple small examples of image transfers alongside the transparencies used to create the transfer and notes describing the steps taken. Some materials, including vellum prints, have been folded, cut or torn into various shapes for use in creating image transfers or other processes.

File consists of teaching notes and image transfer visual aids that show the results of a variety of transfer processes, such as solvent or heat transfers, used by Astman in teaching. The visual aids contain multiple image transfers alongside the transparencies used to create the transfer and notes describing the steps taken or techniques used.

File consists of collages, Polaroid photographs and transparencies, newspaper and magazine clippings, and other paper ephemera and graphic material used by Astman as collage elements, such as printouts and photocopies. Some graphic material has been taped together and cut into various shapes, or scraped and scratched to form collage and overlay components. Also includes an instructional printout from Polaroid's website regarding tips and techniques for using Polaroid P/N films.

File consists of undated portraits and headshots of Winsom, as well as related contact sheets and film negatives.