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Henry Sandham collection

  • LA.SC012
  • Fonds
  • 1881-[ca. 1890]

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Sandham, Henry, 1842-1910

Art Institute of Ontario fonds

  • LA.SC034
  • Fonds
  • 1959-1968

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

Bennett, Paul, 1928-2014

Douglas Duncan fonds

  • LA.SC095
  • Fonds
  • 1921-1971

Fonds consists chiefly of correspondence to Douglas Duncan as director of the Picture Loan Society in Toronto between 1936 and 1966, and his personal correspondence with Norman Endicott and their friends in common during the 1920s. Also included are records of Canadian artist David Milne from the 1950s and British painter Robert ‘Scottie’ Wilson from about 1945 to 1970; both were clients of Douglas Duncan and friends of Norman Endicott. Fonds is comprised of the following series: 1. Picture Loan Society correspondence 2. Duncan-Endicott correspondence 3. David Milne records 4. Scottie Wilson records

Duncan, Douglas, 1902-1968

Anna Belle Wing Kindlund fonds

  • LA.SC096
  • Fonds
  • 1895

Fonds consists of a notebook commenced by Anna Belle Wing Kindlund in 1895, in which she recorded information on works of art and architectural monuments (chiefly European), with thumbnail-sized albumen prints of many of the items and occasional ink sketches. The notebook has alphabetical index tabs, and its entries are alphabetical according to city. The inscription on the frontispiece reads “Anna Belle Wing-B.S. ‘95”. The fonds is arranged in a single series.

Kindlund, Anna Belle Wing, 1876-1922

Geary family fonds

  • LA.SC098
  • Fonds
  • 1913-1933

Fonds consists of a household inventory of antique furniture, china, art, coins, military artifacts, geological and natural history specimens, rare books and family documents owned by Robert William Geary and family of Niagara Falls, Ontario. The inventory was commenced by Geary on January 24, 1913 and annotated by him until 1933.

Geary, R. W. (Robert W.)

J. Loxton Rawbon fonds

  • LA.SC099
  • Fonds
  • [187-]-1942

Fonds includes an album (disbound) containing 45 photographs of paintings and prints restored by Rawbon, with a typed description of the "Rawbon Process" signed and dated, 1921. Collectors and collections mentioned include: Elliott W. Atkins, Toronto; Hôtel Dieu, Kingston; Major Kenneth C. Macpherson, Ottawa; Col. W. O’Brien, Shanty Bay; D.A. Story, Halifax; R.E. Cooper, Victoria; A.J. Gough, Toronto; C.S. Gzowski, Toronto; Mrs. John Small, Toronto; Henry O’Brien, K.C., Toronto; Walker House, Toronto. Fonds also includes a notebook containing a list of “Canadian Artists: Members of the Royal Canadian Academy and The Ontario Society of Artists”, September 1922. The back pages of the notebook contain records of sales of “Oxford” and “Lusterize” polish formulas, and of free sample canvas stretchers sent out to clients. Fonds also includes 14 prizes and diplomas won in art and photography competitions at fairs in southern Ontario (1874-1887); 2 photographs of J. Loxton Rawbon; notes on art restoration methods; correspondence and testimonials; and press clippings related to Rawbon’s career.

Rawbon, J. Loxton, 1855-1942

Kathleen Munn fonds

  • LA.SC105
  • Fonds
  • 1912-[193-]

Fonds consists of nine notebooks kept by Kathleen Munn as a student at the Art Student’s League in New York City and at the Summer program in Woodstock, NY. The books contain a meticulous record of her exposure to ideas about artistic theory, philosophy and art history. Undated drawings, prints and unbound notes are also included, and a group of ‘arts-and-crafts’ inspired decorative designs. The fonds contains more than 1800 pencil drawings executed as studies for her mature work on the subject of the Christian Passion. Photographs of eight of these completed drawings are included. Fonds is comprised of the following series: 1. Notebooks 2. Life drawings and studies 3. Studies for ‘The Passion’

Munn, Kathleen Jean, 1887-1974

Women's Art Resource Centre fonds

  • LA.SC139
  • Fonds

Fonds consists of material documenting the Women's Art Resource Centre as a gallery and provider of educational programming, facilities, and research resources to support and promote women artists, including photographs, slides, exhibition promotion, workshop flyers, brochures, posters, newspaper clippings, correspondence, and publications.

Women's Art Resource Centre

Iain Baxter& fonds

  • LA.SC064
  • Fonds
  • 1936-1999

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

Baxter&, Iain, 1936-

Betty Goodwin fonds

  • LA.SC124
  • Fonds
  • [19--]-2005

Fonds consists of the archival contents of Betty Goodwin’s studio, including sketchbooks and notebooks in which she drew and recorded inspiration and ideas; loose sketches and notes; found and manufactured objects retained for their aesthetic or inspirational qualities; printing plates; folders containing inspirational found images and the artist’s re-workings of same; photographs of the artist and her work spaces; folders and a maquette relating to proposals for public commissions; a small amount of personal correspondence and publicity material; photographic documentation of her artwork; her numerous awards and honourary degrees; and video documentation of Goodwin’s dance collaborations.

Goodwin, Betty, 1923-2008

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