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File contains correspondence to and from Varley and Susan D. Nason.

Correspondence with Hadassah, Canadian Friends of the Hebrew University, Women's International Zionist Organisation, and others, including a partial manuscript (pages 23-50) that appears to be a memoir of the Israeli army by S. Tischler; court document relating to a will.

File contains correspondence to Lismer from R.S. van Valkenburg of the Fine Arts Galleries of the T. Eaton Company in Toronto regarding an exhibition of Lismer’s paintings on consignment to the gallery from January to July of 1946, along with borrowed works not for sale; with shipping documents and an exhibition list. Some leaves have pen sketches on verso.

File contains correspondence relating to a number of topics, including letters to newspapers and magazines, problems with the neighbours, slights from Arthur [Heming?], correspondence with Kenneth Wells regarding art reviews, letters from Bill Palmer, art instructor at the Munson-Williams-Proctor Institute School of Art, and others

File contains manuscript correspondence from Lismer to the staff of the Children’s Art Centre at the Art Gallery of Toronto discussing his sentiments about art education; letters were written from Columbia University in New York (1938–1939), and afterwards from Ottawa. Includes typed transcripts.

File contains collection documentation such as correspondence, receipts, invoices, floor plans, photographs and lists of artworks related to acquiring, exhibiting, maintaining and lending works from the J.S. McLean Collection, along with art gallery notices, exhibition catalogues, booklets on art subjects and newspaper clippings.

File consists of a stapled booklet containing a list of founders, officers, members, and staff of the Gallery.

File contains correspondence to Lismer in South Africa, New York and Montreal from then-president of the Art Gallery of Toronto Charles Shaw Band in Toronto, between 1936 and 1949, commenting on events and committee affairs at the Gallery. The file also includes correspondence (1949–1950) from Harry Southam regarding Lismer’s canvas Sombre Isle.

File contains manuscript correspondence of Lismer to Eric Brown, officials at the Ontario College of Art, and others, largely unfinished and unsent, on art education and other subjects.