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Series consists of correspondence, invoices from shippers and photographers, customs and shipping forms, insurance policies with accompanying lists of art works, and index cards containing descriptions of works in the collection. Also included is a card catalogue of reference books. Index cards were originally housed in metal boxes. Files have been grouped by subject.

Series consists of correspondence with institutions, notes of thanks for personal tours, documentation relating to the loan of works including customs, shipping and insurance forms, texts of catalogue essays, lists of invitees to openings, corrected catalogue proofs, press clippings and telegrams.

Series consists of printed material and correspondence relating to the Zacks’ membership on various boards. Included are agendas, minutes of meetings, reports and other enclosures sent to members, documents received from architects, accountants and other professionals, newsletters and annual reports. The series has been grouped by institution and is arranged chronologically within each group.

Series consists of comprised of correspondence with individuals and institutions documenting the Zacks arts-related philanthropic activities in Israel. Enclosures such as minutes of meetings are often included. The files have been grouped together by institution, with single files at the end.

Series consists of correspondence, drafts of speeches, press clippings, CVs, contents of a binder containing records of Mrs. Zacks’ personal art collection, membership certificates and material relating to her honourary doctorate and Order of Canada. Most files were specifically labeled as the property of Mrs. Zacks; the series also contains some files that fall outside the boundaries of the other series. These include a file of miscellaneous donations made by the Zacks Foundation, a file relating to the material in the Samuel J. Zacks fonds at the National Library and Archives of Canada and magazine articles about Mrs. Zacks. The files have been grouped together by subject, with one oversize box at the end

Series contains letters, invoices, shipping and customs forms, relating to the purchase of works of art, and social and personal correspondence. Four distinct sets of correspondence files have been grouped in this sub-series, following the original file labels: chronological art correspondence (Box 1), alphabetical art correspondence (Box 2), chronological [general] correspondence (Box 3), and alphabetical “Misc.”correspondence (Box 4).

Series contains published and unpublished material relating to Panton’s personal and professional life, including correspondence, clippings, lectures, notes, reproductions and photocopies. Correspondence relating to his tenure as President of the Ontario Society of Artists is included, during the controversy involving the secession of the Group of Seven and other matters. Among the papers was a list with file designations (see file 1). The first series follows this arrangement.

Series contains photographs and negatives relating to the personal and private life of L.A.C. Panton. Material includes photographs of family and friends, photographs of his paintings, and photographs on which he based his paintings. The photographs have been arranged by subject matter and size. Very few of the photographs have been labeled or dated.

Series contains posthumous and other material that does not fit into Panton’s file categories. Files relate to exhibitions of his work, including posthumous exhibitions, personal material including party invitations and home-made Christmas cards, qualifications certificates relating to his teaching career and his RCA induction certificate, obituaries and other material collected around the time of his death, his passport, four small caricatures, and the layout for an unpublished book.

Series consists of Robert Markle’s “Letters” files of correspondence received, which were filed chronologically by Markle. Series also includes some correspondence files assembled by the archivist. File titles have been taken from Markle’s file labels, except for those in square brackets, which have been supplied by the archivist.