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Miscellaneous passive correspondence

File contains correspondence received by Lismer between 1921 and 1965 from various correspondents including Vincent Massey, Lewis Mumford, Barker Fairley, Marius Barbeau, Leo Mol and others; also from publishers, universities, art associations, galleries and schools. Some leaves have pen or pencil sketches on verso.

Children’s Art Centre correspondence

File contains manuscript correspondence from Lismer to the staff of the Children’s Art Centre at the Art Gallery of Toronto discussing his sentiments about art education; letters were written from Columbia University in New York (1938–1939), and afterwards from Ottawa. Includes typed transcripts.

Charles S. Band correspondence

File contains correspondence to Lismer in South Africa, New York and Montreal from then-president of the Art Gallery of Toronto Charles Shaw Band in Toronto, between 1936 and 1949, commenting on events and committee affairs at the Gallery. The file also includes correspondence (1949–1950) from Harry Southam regarding Lismer’s canvas Sombre Isle.

Band, Charles Shaw

T. Eaton Co. Fine Art Galleries correspondence

File contains correspondence to Lismer from R.S. van Valkenburg of the Fine Arts Galleries of the T. Eaton Company in Toronto regarding an exhibition of Lismer’s paintings on consignment to the gallery from January to July of 1946, along with borrowed works not for sale; with shipping documents and an exhibition list. Some leaves have pen sketches on verso.

Lismer retrospective (1950) exhibition records

File contains correspondence to Lismer in Montreal from Sydney Key, curator at the Art Gallery of Toronto regarding the exhibition Arthur Lismer: Paintings 1913-1949 at the gallery in January-February 1950, with a manuscript letter to Sydney Key in Lismer’s hand (not sent); lists of paintings and a diagram of an installation; with an annotated proof of the catalogue for the exhibition. Some leaves have pen or pencil sketches.

Essays on art education

File contains a manuscript essay by Arthur Lismer entitled "The appreciation of pictures"; typescript or carbon copies of "Letters to African teachers of Bechuanaland," and "Suggestions for a proposed syllabus for the teaching of art in [South African] native schools"; and a mimeograph copy of five chapters of "The teaching of art in normal primary & secondary schools [in the Transvaal]."

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