Showing 246 results

Series comprises a complete run of Gallery Moos exhibition invitations. Series also contains similar items for some exhibitions on which Gallery Moos collaborated with other galleries, and some exhibition invitations for Gallery Moos New York.

Series comprises posters for exhibitions held by Gallery Moos. Material received in 2002 (29 posters) was supplemented with an accrual of 26 posters in 2012.

Series comprises 2 motion pictures on gallery artist Gershon Iskowitz: “Standing Apart,”produced by Peter and Frances Mellenco (concerning Iskowitz’s participation in the Venice Biennale, 1972); and “I Paint What I Know—Gershon Iskowitz,” produced by Peter Alford. Motion pictures will also be found in Series 9 (New York office records).

Series comprises files of general correspondence received at Gallery Moos in Toronto over a period of more than thirty years from 1959 to 1993. The materials were received by the AGO from Gallery Moos in 2004 and 2012. The 2012 accrual comprises copies of letters sent from Walter Moos, gallery director Gerard Jennings and other gallery staff as well as letters received from clients, other dealers and galleries chiefly regarding purchases of artwork, requests to publish or exhibit works by gallery artists.

Series comprises records from the Gallery Moos New York office, including correspondence with clients, artists and colleagues; card indexes; floor plans and architectural drawings; photographs of artwork and the gallery space; administrative records regarding the gallery space and samples of letterhead. Material was received from Gallery Moos in 2004 and 2012. .

Series consists of material relating to various exhibitions and projects undertaken by John Boyle, including correspondence, press clippings, notes, draft writings, and images used as source material. Material is filed together by project or exhibition in approximate chronological order, but many files also contain miscellaneous material as filed by the artist. Researchers should also consult Series 5: Studio business files for related material.

Series consists of financial receipts, invoices, income tax returns, and related correspondence, including art sales records from Nancy Poole’s Studio. Records have been arranged chronologically by the creator.

Series consists of drawings in black ink, marker and graphite studies that document John Boyle’s earliest work as an artist, as well as a photograph and 5 watercolours. The ink/marker drawings were executed on finger-painting paper, material at hand from his job as an elementary teacher.

Series consists of correspondence, press clippings, photographs and other material documenting concerts and tours by the Nihilist Spasm Band. Files are arranged in approximate chronological order.

Series consists of minutes of CARO meetings, related correspondence, typescript articles by John Boyle for publication in CAROT newsletter, and other related material. Files are arranged in approximate chronological order.