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Baldwin Street Gallery fonds

  • LA.SC174
  • Fonds
  • 1968-2018

Fonds consists of material documenting the administrative and exhibition functions of Baldwin Street Gallery, including correspondence, the records of gallery director Laura Jones, grant applications, research files, press, and the gallery's published material such as newsletters, exhibition invitations, posters, and programmes.

Baldwin Street Gallery

Janet Dewan fonds

  • LA.SC181
  • Fonds
  • 1981-2019

Fonds consists of records of Janet Dewan's research on a variety of subjects including Linnaeus Tripe and other 19th- and early 20th-century photographers represented in the AGO collection.

Dewan, Janet

Roy Zheng - Michael Snow collection

  • LA.SC180
  • Collection
  • 2015

Collection consists of video footage of interviews with Michael Snow, created in the process of making the short documentary Portrait of Snow 2016.

Zheng, Roy Zhi

Jean Blodgett fonds

  • LA.SC179
  • Fonds
  • 1957-2003

Fonds consists of the personal and professional records of Jean Blodgett, including research materials such as correspondence, notes, photographs and audio recordings; records of her Arctic travel; curriculum vitae and related records; personal photographs; and two Inuit craft objects.

Blodgett, Jean

Canadian Art Magazine collection

  • LA.SC178
  • Collection
  • 1943-2019

Collection consists of a nearly complete run of Canadian Art Magazine, including issues of Maritime Art and artscanada, 1943-2019.

Canadian Art Foundation

George Agnew Reid family collection

  • LA.SC177
  • Collection
  • 1920s-2000s

Collection consists of printed ephemera and correspondence documenting the life and art of George Agnew Reid and Mary Wrinch; greeting cards featuring prints by Mary Wrinch; and drawings by George Agnew Reid.

Duff, Janice

Donald Gillies - Dennis Burton collection

  • LA.SC175
  • Collection
  • 1960-2003

Collection consists of correspondence received by Gillies from Burton over the course of their friendship, including a few informal treatises written by Burton on various aspects of the visual arts. It includes two collage works by Burton.

Gillies, Donald J.

Beth Southcott fonds

  • LA.SC172
  • Fonds
  • 1977-1989

Fonds consists of research materials generated in preparation for Southcott's book The Sound of the Drum: The Sacred Art of the Anishnabec (Erin, Ontario: Boston Mills Press, 1984). The following artists are documented in the fonds: Allen Angeconeb, Del Ashkewe, Carl Beam, Leland Bell, Benjamin Chee Chee, Shirley D. Cheechoo, Blake Debassige, Noel Ducharme , Don Ense, Rhonda Franks, Ril Gaiashk, Tom Hill, Robert Houle, Alex Janvier, Francis Kagige, Goyce Kakegamic, Morley Kakepetum, Eleanor Kanasawe, Josh Kakegamic, Norman Knott, John Laford, Mel Madahbee, Norval Morrisseau, Hugh Mckenzie, Johnson Meekis, Daphne Odjig, Martin Panamick, Carl Ray, Tim Restoule, Michael Robinson, Allen Sapp, James Simon, Arthur Shilling, Roy Thomas, Randy Trudeau, and Saul Williams.

Southcott, Beth

Elizabeth Chitty fonds

  • LA.SC171
  • Fonds
  • 1975-2021

Fonds consists of documentation of Chitty's creative process as an interdisciplinary artist, including plans, notes, technical drawings of set designs, posters, promotional material, press, photographs, scripts, correspondence, grant materials, slides used during performances, and photographs of live performances and installations. Fonds also consists of professional records documenting Chitty's role as an arts administrator and curator with Cultural Desire Projects, Western Front, the Canadian Alliance of Dance Artists, the St. Catharines and Area Arts Council, and ANNPAC; speaking notes pertaining to artist talks and conference presentations; as well as drafts and manuscripts pertaining to her editorial and writing work.

Chitty, Elizabeth

Tanya Mars fonds

  • LA.SC170
  • Fonds
  • 1973-2018

Fonds consists of documentation of Tanya Mars' career as a performance artist and video artist, including photographic, video, and audio documentation of her live performances; raw footage used in the filming of her video artworks; slides, video projections, and soundtracks used as live elements during her performances; and textual records documenting her creative process. Fonds also consists of professional records documenting her involvement with Powerhouse Gallery, ANNPAC, 7A*11d, and Parallelogramme magazine in addition to her role as a professor at the University of Toronto and the Nova Scotia College of Art and Design.

Mars, Tanya

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