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Collection consists of letters solicited by Donald Buchanan for his study James Wilson Morrice: a biography (Toronto: Ryerson Press, 1936). Correspondents include Léa Cadoret, W. Somerset Maugham, Gerald Faustus Kelly, Charles Prendergast, Elizabeth R. Pennell, Clive Bell, Walter Pach, David Morrice, Pavel Ettinger and Henri Matisse. Also included are a photograph of Morrice, a postcard from him to William Brymner, and photographs of three of his works.

Collection consists of illustrations clipped from fashion magazines, general-interest periodicals, children’s
picture books and other illustrated books, bringing together the work of over 275 illustrators published
between the 1860s and the 1920s, chiefly in the United States, Britain and Canada.
Fashion magazine covers in series 1 featuring imaginative and extravagant costumes are full colour
lithographs, as are most of the sheets in series 4 (Illustrations from publications for children). Illustrations
in series 2 (Book and magazine illustrations) are largely achromatic images depicting events in fictional
and poetic works, and include printed black-and-white wood engravings. Many folders contain a single
sheet of illustration by one artist, while series 3 (Gustave Doré illustrations) consists of more than two
hundred published wood engravings by prolific French artist Gustave Doré. The collection of over 3000
items offers a perspective on the era of illustration by graphic artists before it was largely superseded
(except in children’s literature) by photography.

Collection consists of General Idea ephemera including exhibition and performance invitations, postcards, flyers, tickets and similar items.

Collection consists chiefly of copies of photographs of members of the Group of Seven and Tom Thomson taken between 1914 and ca. 1952, along with some original photos taken 1926–1935 of installations of exhibitions of their work in Toronto and Ottawa in the first half of the 20th century.

Collection consists of commercially printed maps designed by illustrators Stanley F. Turner, Jerrine Wells Kinton and Ernest Dudley Chase.

Collection consists of an album of photographs of Florence Wyle’s sculptures; photos of Wyle, Illy Gepe, Frances Loring, and others; unattached photos and postcards of sculptures; a sketchbook; newspaper articles about Loring & Wyle; and other material.

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.

Collection consists of three drawings by Jessie Oonark on mimeograph stencil sheets. Items are arranged in a single series.

Collection consists of research and administrative files created and maintained by Joan Murray during the development of the Tom Thomson Catalogue Raisonné, and further files documenting the editing and online publication of the catalogue by Emma Conner.

Collection consists of video recordings containing footage of Robert Markle working on printmaking in Otis Tamasauskas' studio, shot by John Vainstein. Portions of the footage were included in the documentary Priceville Prints (1987).