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Collection consists of a series of recorded interviews gathered or commissioned by Ann Davis in the course of her research for her biographical work Somewhere Waiting: The Life and Art of Christiane Pflug. Several interviews were conducted by Ann Davis’ assistant, Elizabeth Schwaiger, who is a professional translator. The subjects of the interviews are people with whom Christiane had contact with throughout her life. For the most part, the interviews focus on the interviewees’ relationship to Christiane and/or her family. The collection also contains older recordings with the voice of Christiane herself. Full or partial transcripts are included for many of the recorded interviews. Fonds is comprised of the following series: 1. Interviews conducted by Ann Davis 2. Interviews conducted by Elizabeth Schwaiger 3. Other source material for Somewhere Waiting

Fonds consists of a notebook commenced by Anna Belle Wing Kindlund in 1895, in which she recorded information on works of art and architectural monuments (chiefly European), with thumbnail-sized albumen prints of many of the items and occasional ink sketches. The notebook has alphabetical index tabs, and its entries are alphabetical according to city. The inscription on the frontispiece reads “Anna Belle Wing-B.S. ‘95”. The fonds is arranged in a single series.

Fonds consists of Art Directors Club, Toronto official records, correspondence, records of club meetings, committee reports, membership records, exhibitions and awards dinner records, and other material.

The Art Gallery of Ontario Biographical Questionnaires Collection consists of written responses to forms requesting factual information pertaining to the careers of 372 Canadian artists. The Collection consists of printed forms that have been completed and signed by Canadian artists between 1912 and 1979 and a group of 24 responses to questions posed by AGO staff in 1984. The final group is concerned more with the nature of the artist’s work rather than factual and biographical information. The earliest forms were one page in length; basic information regarding birth date, education, exhibitions, awards, publications and a signature was requested. Forms sent out in the 1970’s are two pages; the 1980’s files consist of lengthy responses in essay format to 7 or 8 questions. Two of the artists from the final group submitted audio tapes that have been transcribed. An alphabetical listing of artists can be found in the administration file. Forms were completed in the following years (numbers in parentheses indicate the number of forms completed for a given year): 1912 (69); 1913 (43); 1914 (20); 1915 (16); 1916 (9); 1917 (7); 1918 (17); 1919 (6); 1921 (1); 1922 (1); 1923 (47); 1924 (22); 1925 (23); 1927 (34); 1928 (3); 1929 (1); 1930 (1); 1945 (1); 1974 (3); 1976 (1); 1979 (1); 1984 (24). Fonds is comprised of the following series: 1. Biographical questionnaires 1912-1979 2. Toronto Painting ’84 questionnaires

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

Records group consists of records accumulated throughout the Art Institute of Ontario’s run.

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Collection consists of correspondence between Avis Lang Rosenberg and Jack Chambers over a three-year period, slides created for the proposed book, transcriptions of taped interviews, contents of a notebook, poetry and prose written by Chambers, research notes, Lang’s writings on Chambers, exhibition catalogues and a private press publication containing illustrations by Chambers. Much of the material is present in photocopied form. File titles were assigned by Avis Lang, except where square brackets are used. The collection is arranged in a single series.

Fonds consists of material documenting the administrative and exhibition functions of Baldwin Street Gallery, including correspondence, the records of gallery director Laura Jones, grant applications, research files, press, and the gallery's published material such as newsletters, exhibition invitations, posters, and programmes.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the second decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.