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Series comprises records from the Gallery Moos New York office that document David Moos’ academic and professional careers in the late 1980s and 1990s. Records include curricula vitae; applications to universities, fellowships and positions; correspondence; academic essays as well as essays, reviews and proposals written in a professional capacity including his collaborations with Rainer Crone and sample of the work of other fiction writers. .

Series consists of typescript writings about Iskowitz.

Series consists of material related to Northern Lights Septet #3.

Series consists of films, a video and audio cassettes by or featuring Robert Markle

Series consists of members, executive and annual general meeting minutes; the secretary’s rough notes for the meeting minutes; register of directors; files of the communication, fundraising, hospitality and maintenance committees which reported to the executive committee. These files are of the Workscene Co-operative Corporation, Workscene/Ruby-Fiorino Gallery and the Workscene Gallery as noted. The arrangement of the files in this series respects the original order of the creator. The meeting minutes were filed by year with the secretary’s notes filed separately. The materials in all files are roughly chronological

Series consists of a condolence book from Benjamin’s Park Memorial Chapel, with signatures of mourners from the memorial on January 26, 1988.

Series consists of material related to various exhibitions and includes invitations, artist lists, brochures, guest books, photographs, slides, negatives, contact sheets, press clippings, press releases, grant application materials related to specific exhibitions and one video tape. Individual files contain some or all of these; the presence of photographs, slides, negatives, contact sheets or video tapes is noted. The guest books span multiple shows and are grouped in the final file. The files are arranged roughly chronologically with files for each year containing materials from smaller exhibitions and separate files for larger exhibitions. Within the files the materials are arranged chronologically where possible with exceptions noted.

Series consists of a group of palettes gathered from the artist’s studio following his death.

Series consists of computer printout lists of art works with descriptive data, compiled by Gretchen McCulloch and curator Barry Lord for exhibition “John Boyle: A Retrospective” at the London Regional Art and Historical Museum (now Museum London).