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Will Munro collection

  • LA.SC121
  • Collection
  • 2000-2009

Collection consists of posters designed by Will Munro for events organized by him at various venues in downtown Toronto. Posters employ a variety of media and processes, including silkscreen and photocopies. Some of these posters were featured in Will Munro: Total Eclipse, July 31-September 26, 2010, part of the Toronto Now series of exhibitions at the AGO. Silk-screening of many of the posters was carried out by Michael Comeau.
Contains series:

  1. Vaseline / Vazaleen / Vazoween posters
  2. Peroxide posters
  3. Moustache posters
  4. 7th Heaven posters
  5. Miserable Mondays posters
  6. NO T.O. posters
  7. Posters for various events at The Beaver Restaurant

Munro, Will

Thoreau MacDonald collection

  • LA.SC104
  • Collection
  • 1933-1979

Collection consists chiefly of illustrative works by Canadian graphic artist Thoreau MacDonald, including a portfolio of drawings for an unpublished illustrated edition of Henry David Thoreau’s study Walden and a volume of layouts for the novel Maria Chapdelaine by French author Louis Hémon. Collection also includes some correspondence.

Macdonald, Thoreau

Sybille Pantazzi book jacket collection

  • LA.SC019
  • Collection
  • 1912-1979

Collection contains book jackets, grouped into geographical categories. Also included is a published exhibition catalogue. Dates have been provided by Sybille Pantazzi and are written in pencil on the verso. Attribution is based on a designation on one of the jacket flaps, on a signature within the illustration, and occasionally on stylistic analysis.

Pantazzi, Sybille

Shieky Brownstone-Jack Chambers collection

  • LA.SC116
  • Collection
  • 1977

Collection consists of photographs of Jack and Olga Chambers by Shieky Brownstone. Collection has been arranged in a single series.

Brownstone, S. (Shieky)

Roy Zheng - Michael Snow collection

  • LA.SC180
  • Collection
  • 2015

Collection consists of video footage of interviews with Michael Snow, created in the process of making the short documentary Portrait of Snow 2016.

Zheng, Roy Zhi

Ric Amis collection

  • LA.SC155
  • Collection
  • 1982-1994

Collection consists of records accumulated by Ric Amis between 1982 and 1994 from organizations with which he was affiliated in Toronto, including Citizens for the Arts, Beaver Hall Artists’ Housing Co-operative, Lakeshore Village Artists’ Housing Co-operative, Toronto Artscape, Toronto Independent Media Enterprises/Cultural Arts Centre (Toronto) Incorporated, Canadian Artists Network: Black Artists in Action, and the Live/Work Space Building Code Working Group.
Collection comprises records of meetings of boards and committees; business and legal correspondence; provincial, municipal and other reports and policy documents; administrative records of organizations; research materials on artists’ co-operative housing; feasibility studies for projects; architectural drawings, and related material.

Amis, Ric

Photographs of Canadian artists collection

  • LA.SC024
  • Collection
  • [189-]-ca.2000

Collection comprises photographic prints submitted with replies to biographical questionnaires sent by the AGO to Canadian artists between 1912 and 1984. The collection was augmented with 239 photographs purchased from Toronto photographer M.O. Hammond (1876–1934) between 1927 and 1934. Collection also includes photos and copy prints obtained in connection with Gallery exhibitions and photos acquired by other Gallery departments, with news photographs and reproductions of photos from agencies and other institutions. Photos were added to the collection up to the end of the 1990s.
The photographic prints in the collection are chiefly gelatin silver prints but also include chromogenic colour prints, diffusion transfer prints and photos produced by other processes. The collection includes images of 598 artists in studio portraits and snapshots, at exhibition openings and in their studios, and in group photos. Some photographs are annotated with biographical details on verso or in accompanying textual records.

Art Gallery of Ontario. Edward P. Taylor Library & Archives

Photographs of Canadian art collection

  • LA.SC039
  • Collection
  • [189-?]–1985

Collection consists of a single series of copy prints (of paintings, drawings and prints), and photos of sculptures and other works of art and architecture, chiefly by 19th- and 20th-century Canadian artists and architects, arranged in alphabetical order by surname, with photos of works by unknown artists at the end of the series. The collection comprises 646 artists and architects, and includes some reproductions of works of art, chiefly clippings. Many of the works of art reproduced in the photographs are in the permanent collection of the Art Gallery of Ontario.

Art Gallery of Ontario. Edward P. Taylor Library & Archives

Paterson Ewen collection

  • LA.SC148
  • Collection
  • 1943-1996

Collection consists of research materials assembled by Matthew Teitelbaum and Ron Graham in preparation for the 1996 exhibition Paterson Ewen: Earthly Weathers/Heavenly Skies. Materials include audio recordings of interviews with Paterson Ewen and others, photographs and photocopies of photographs, interview transcripts, essays, newspaper articles, exhibition related files, and other miscellaneous research material.

Graham, Ron

Pamela Harris Spence Bay collection

  • LA.SC126
  • Collection
  • 1971-2012, predominantly 1972-1976

The collection comprises archival material related to Harris’s photographic work from her time in Spence Bay, as well as that of the darkroom project she conducted while living there. The archival collection consists of Pamela Harris’ original contact sheets; her active and passive correspondence; documentation, publicity and text panels related to her exhibitions of Spence Bay photographs; audio recordings of interviews with people she met and worked with in Spence Bay; and related materials from the 1973 Women’s Kit. It includes the 28 b&w photographs taken by the Inuit women participants of the concurrent natural dyes workshop and the related text panels exhibited at the Artic Women’s Craft Conference and TD Centre in 1974, as well as documentation of their work in the Darkroom Project and the resulting exhibition. It also includes a questionnaire designed and distributed by Pamela Harris and colleague Paul Carter to other documentary photographers during this same time period.

Harris, Pamela

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